The Last of Us recasts key character for season 3 — Here’s why Danny Ramirez won’t return for the new chapter

As anticipation builds for The Last of Us Season 3, HBO’s acclaimed post-apocalyptic drama is facing a notable behind-the-scenes change. Danny Ramirez, who played Manny Alvarez in Season 2, will not return for the upcoming season, with the role set to be recast. The development reflects the growing challenge of managing long-form television projects as actors juggle multiple high-profile commitments.




Manny Alvarez was introduced in Season 2 as a former Firefly and a close ally of Abby, played by Kaitlyn Dever. Though not a central figure initially, the character left a strong impression through his loyalty and grounded presence. As the series continues adapting the second half of The Last of Us Part II, Manny’s role is expected to gain more narrative importance, particularly as the story shifts focus toward Abby’s perspective.

Recasting the role instead of writing the character out signals that Manny will continue to play a meaningful part in the emotional and moral conflicts ahead, reinforcing the show’s commitment to staying close to its source material.




Ramirez’s departure is understood to be due to scheduling conflicts, largely tied to his growing involvement in major film projects. The actor currently appears as Joaquin Torres, also known as the Falcon, in the Marvel Cinematic Universe, with several upcoming commitments reportedly overlapping with The Last of Us Season 3 production schedule.

The situation highlights a recurring issue in modern television, where rising stars often balance prestige TV roles with blockbuster franchises.




HBO has not yet announced who will step into the role of Manny, and casting details remain under wraps. With Season 3 expected to lean more heavily into Abby’s storyline, the recast choice will likely be closely watched by fans.

Production is expected to begin in 2026, with a tentative release window in 2027. As The Last of Us expands its scope, this casting shift underscores the evolving realities of franchise-driven storytelling in Hollywood.